ANDREW PETERSON ANNOUNCES 19TH ANNUAL BEHOLD THE LAMB OF GOD TOUR

FOR IMMEDIATE RELEASE:

July 30, 2018

ANDREW PETERSON ANNOUNCES 19TH ANNUAL

BEHOLD THE LAMB OF GOD TOUR

International Justice Mission, The Rabbit Room Sponsor Tour Featuring Special Guest Scott Mulvahill, Artists Jill Phillips, Andy Gullahorn, Ben Shive, Gabe Scott

Peterson’s Resurrection Letters Vol. I Hit Billboard Americana/Folk Chart’s Top 5

 

Dove Award-nominated recording artist, songwriter, filmmaker and award-winning author Andrew Peterson announces his 19th Annual Behold The Lamb Of God tour sponsored by International Justice Mission and The Rabbit Room. Logging multiple sold-out events each year since its inception in 2000, the Christmas tour has become a yearly tradition for Peterson and his band, as well as families and churches across the nation who look forward to attending each holiday season, recounting the Christmas story through song.

This year’s production, featuring special guest Scott Mulvahill and artists Jill Phillips, Andy Gullahorn, Ben Shive and Gabe Scott, launches in Houston, TX with back-to-back nights Nov. 28 and 29 before traversing nine states and wrapping up Dec. 15 in Danbury, CT. The Behold The Lamb Of God tour also stops for the 15th consecutive year at Nashville’s iconic Ryman Auditorium where it is expected to sell out both its Dec. 9 and 10 events. Tickets are available now through www.andrew-peterson.com (see full list of tour dates below).

“I just can’t believe we still get to do this,” says Peterson. “If you had told me back in 2000, I would have laughed. Playing these songs with such dear friends for so many years is a rare and profound blessing.”

Peterson launched his Behold The Lamb Of God tour nearly two decades ago to present a musical rendition of the Christmas story and to reinforce the true meaning of the season. In 2004, the success of the tour led Peterson to record the award-winning album, Behold The Lamb Of God: The True Tall Tale Of The Coming Of Christ. In 2009, Peterson released a 2-disc project marking the 10th anniversary of the tour that includes a remastered version of the 2004 CD and a live recording of 2008’s tour.

Leading up to his 2018 Behold The Lamb Of God tour, Peterson will be featured on The Bible Tour along with Matt Maher, Natalie Grant and more, and is working on a new The Wingfeather Saga film to be revealed soon.

Earlier this year, Peterson released Resurrection Letters: Prologue and Resurrection Letters, Vol. I from Centricity Music amidst 5-star acclaim. Prologue is a collection of five “waiting songs” meant to remind listeners of the gravity of the crucifixion while Vol. I begins with the heartbeat of the resurrected Christ, exploring the resurrection itself and its centrality to Christianity. Vol. 1 also became a Billboard Top 5 Americana/Folk Albums chart hit while being called a “masterpiece” (CCM Magazine), “one of his best” (The Gospel Coalition) and “simply remarkable” (Jesus Freak Hideout). The album also features the RELEVANT-lauded video “Is He Worthy?” that has been viewed more than 1.2 million times on Peterson’s Facebook and YouTube pages alone.

For more information about Peterson, including the latest on his touring, music and more, visit www.Andrew-Peterson.com, Facebook, Twitter, Instagram and YouTube.

BEHOLD THE LAMB OF GOD 2018 TOUR DATES:

Nov. 28 Houston, TX, Grace Bible Church

Nov. 29 Houston, TX, Grace Bible Church

Nov. 30 Dallas, TX, Stonegate Church

Dec. 1 San Antonio, TX, Trinity Baptist Church

Dec. 2 Russellville, AR, First Baptist Church

Dec. 5 Wake Forest, NC, Southeastern Baptist Theological Seminary

Dec. 6 Greenville, SC, Mitchell Road Presbyterian Church

Dec. 7 Orlando, FL, University Presbyterian Church

Dec. 8 Birmingham, AL, The Church at Brook Hills

Dec. 9 Nashville, TN, Ryman Auditorium

Dec. 10 Nashville, TN, Ryman Auditorium

Dec. 12 Champaign, IL, Virginia Theater

Dec. 15 Danbury, CT, Ives Concert Hall, Western Connecticut State University

About Andrew Peterson:

Recording artist, songwriter, producer, filmmaker, publisher and award-winning author of The Wingfeather Saga series, Andrew Peterson is also host of The Rabbit Room, which fosters Christ-centered community and spiritual formation through music, story and art, and recently launched a film and TV production company, Shining Isle Productions, to produce animated film based on his bestselling books. Known for songs like “Dancing In The Minefields,” “Be Kind To Yourself,” “The Reckoning,” “Don’t You Want To Thank Someone,” “The Silence Of God,” “Nothing To Say,” “You’ll Find Your Way” and more, Peterson has also been named “one of the foremost singer/songwriters around” and has received multiple “best album of the year” nods from critics along with two Dove Award nominations. Taking his hits and fan favorites on the road, Peterson’s touring draws capacity crowds at venues around the world, including several sold-out events at the historic Ryman Auditorium in Nashville.

About Scott Mulvahill:

Singer, songwriter, bass player Scott Mulvahill toured with Ricky Skaggs’ Grammy-winning band Kentucky Thunder for five years and has shared the stage with Alison Krauss, Barry Gibb (Bee Gees), Bruce Hornsby, Brad Paisley, Peter Frampton, Steven Curtis Chapman, Emmylou Harris and more. His songs have received honors or been featured in NPR’S Tiny Desk Contest, the International Songwriting Competition, John Lennon Songwriting Contest and American Songwriter Magazine’s 30th Anniversary Contest, and he has had numerous cuts on other artists’ albums. He’s currently touring in support of his September release, Top Of The Stairs (EP), which was produced by himself, Charlie Peacock (The Civil Wars, The Lone Bellow) Gary Paczosa (Alison Krauss, Sarah Jarosz) and Shani Ghandi (Sarah Jarosz).

About Centricity Music: 

Centricity is an independent Christian music company based in Franklin, Tenn. Founded in 2005 with a commitment to artist development and stylistic diversity, its artist roster includes Aaron Shust, Andrew Peterson, Caitie Hurst, Carrollton, For All Seasons, Jason Gray, JJ Weeks Band, Jonny Diaz, Jordan Feliz, Lauren Daigle, Neon Feather, North Point InsideOut, Peabod and Unspoken. Providing label and publishing services, Centricity is a family-owned organization, and they like it that way. The committed work of its staff and artists has yielded successes such as Grammy nominations, Billboard Awards, Dove Awards, K-Love Fan Awards, a Gold Album and Gold Singles. For more information on Centricity Music, visit www.centricitymusic.com.

About International Justice Mission:

International Justice Mission is a leading international anti-slavery organization working in 17 communities across the developing world to combat slavery, trafficking, and other forms of violence against the poor by rescuing and restoring victims, holding perpetrators accountable, and transforming broken public justice systems.

   

# # #

ATTN Media: For Andrew Peterson photos and additional press materials, go to: https://app.box.com/v/AndrewPetersonPress.

For additional information, music, interviews, etc., contact: Rick Hoganson, Hoganson Media Relations, 615-459-9870, Hoganson@comcast.net.

Unsubscribe

This message was sent to rljames29@me.com from rickhoganson@gmail.com

Rick Hoganson

Hoganson Media

Hoganson Media

Nashville, TN 37167

Andrew Peterson’s Resurrection Letters – a feature story by Doug McKelvey

Andrew Peterson’s Resurrection Letters

By Doug McKelvey

On paper Resurrection Letters, Vol. I is a project that shouldn’t exist. The math doesn’t add up. After ten years of putting it off, ten years of feeling too intimidated and inadequate to write and record the project he instinctively knew could be the most important and personally meaningful of his career, Andrew Peterson wrestled a growing sense he could put it off no longer. After all, we’re only given so many years in this life.

 

Peterson’s twenty years of creative output as a songwriter and novelist had already served to articulate and shape the longings of hundreds of thousands of fans, turning and training their desires towards eternal things. His poetic and theologically rich expressions have been always honest, sometimes painful, ever restless, ever hopeful, ever human. He is the rare artist who clearly sees his talent, not as a reason for pride and self-promotion, but as a thing he is given primarily to steward in the service of others. And it was because of that posture of humility—and despite all his recent successes as a recording artist, novelist, filmmaker, and non-profit organizer—that the unfinished Resurrection Letters project was always present somewhere in the back of his mind unsettling him like a splinter under skin.

 

“Listeners asked me again and again about when I would record Resurrection Letters, Volume One,” Andrew remembers, “and I would wince every time.”

 

To put all of this another way, there are many artists who are gifted, and then there are a small handful of artists who are gifts. And Andrew Peterson is a gift to the Body of Christ. He has not pursued a career by asking what would sell well and seeking to cash in on that. Instead he has pursued a calling by asking what would serve well and then laboring to bring those expressions of beauty and comfort and longing into being. When he creates, he creates with a measure of fear and trembling, because he begins in the knowledge of his own limitations, never presuming he will be able to bring his work to any meaningful completion. So it makes sense that the project he saw as most necessary would also be the project he would feel most unprepared, even unworthy, to pursue.

 

“Honestly, as the centrality of the resurrection became clearer and clearer to me from a theological standpoint,” he says, “the less I felt up to the task.”

 

A decade ago Peterson had been so stirred by implications of the resurrection expressed in N.T. Wright’s Surprised By Hope and C.S. Lewis’ The Great Divorce that he penned an album’s worth of songs unpacking those epiphanies. For the intervening decade since the release of Resurrection Letters, Vol. II though, he’s found himself mumbling ambiguous and reluctant answers to that obvious, repeated question: “When are you going to go back and record Volume I?”

 

“The songs I wrote for Volume II traced the ripple effects of the resurrection,” Andrew explains. “They explored how it impacted my own life and hopes rather than being specifically about Jesus. I called itVolume II because I knew there was a more fundamental part of that story still to tell. The whole church, the whole history of our faith, hinges on Christ’s resurrection. But I didn’t feel adequate to the task of communicating that, so for ten years I’ve carried that insecurity along with the sense that I needed to bring it to completion at some point.”

 

Eventually, that time came. In the fall of 2017 Andrew met with his label Centricity Music and together they agreed on a deadline three short months away so the project could release in time for Easter of 2018. Now Resurrection Letters, Vol. I was on the calendar. The gears were turning and time and money from the label were being invested in anticipation of the pending release, so one way or another Andrew was going to have to deliver something. Problem was, those three months spanned a quarter year which was shaping up to be the most unlikely recording season of Andrew Peterson’s career.

 

“I came into the process with only two songs written,” Andrew explains, “and during those three months I had two trips to England scheduled, a trip to Israel, a deadline to complete the Wingfeather Saga animated film, and a deadline to finish writing a nonfiction book. I was also staging the Rich Mullins tribute concert, staging the Rabbit Room Live show, hosting the annualHutchmoot Conference, and coordinating and touring the Behold the Lamb of God Christmas concert. It really didn’t make sense that we could record Resurrection Letters, Vol. I during those same three months, but somehow, on odd days when I was home in Nashville, it happened.”

 

Happened is perhaps a slight understatement. Three months later Peterson had managed to record fourteen new songs. At that point a decision was made to split the project into a five-song EP and a nine-song album, partly because of the number of songs, and partly because of the subject matter. Most of the songs were about Christ’s resurrection, but a handful centered instead on his crucifixion.

 

“My dream was always that Resurrection Letters, Vol. Iwould be a record you would listen to on Easter Sunday,” Andrew says, “so I wanted it to feel like a celebration. Early on I imagined a three-part structure following the line from the Anglican liturgy ‘Christ has died, Christ is risen, Christ will come again.’ But once everything was recorded it just didn’t feel right to open the project with “Last Words (Tenebrae)”(a song based on Christ’s final utterances on the cross) and then to spend five songs contemplating his death. So we split it. The Prologue EP (Resurrection Letters: Prologue), honors the necessary darkness of the cross and becomes a musical meditation for Passion Week and Good Friday, allowing Resurrection Letters, Vol. I to be the pure Easter celebration we envisioned.”

 

Much of the credit for the prolific song output during those three months, Peterson says, goes to producer Ben Shive (Ellie Holcomb, Colony House, Mercy Me). Shive stepped up to shepherd the project through Andrew’s frequent absences. Having produced Resurrection Letters, Vol. II a decade earlier and toured for years with Andrew, Ben was the obvious choice. “He understood more than anyone else what we were trying to do,” Andrew says. “Plus, Ben Shive knows scripture better than any friend I have, which is essential for a project like this. He even wrote two of the songs and co-wrote another three.”

 

Shive had also split production credits on Peterson’s last two studio projects, Light for the Lost Boy andThe Burning Edge of Dawn. Those albums were autobiographical, dealing in large part with Andrew’s “long, dark journey” through a three-year depression.

 

“One of the reasons I love doing the Behold the Lamb of God tour every year,” Andrew says, “is that it feels really good to spend a month of the year not singing about me and my story, but instead singing words from scripture about the Lamb of God. After four years spent writing and singing songs about my own struggles, to spend this season writing and singing about the death and resurrection of Jesus felt like a culmination of that hard journey. When I die, I’m not interested in people saying that I told my own story well, except in how the telling of my own journey might have drawn them to a deeper understanding of the gospel.Resurrection Letters, Vol. I is a distillation of that hope.”

 

Such hope is articulated most clearly in the first single and video “Is He Worthy?” Drawn from the fifth chapter of Revelation, the song is structured as a sort of liturgy set to music, utilizing a call and response format that invites listeners to become participants. It isn’t difficult to imagine that “Is He Worthy?” might be printed in hymnals 200 years from now. The poetic, catechismal lyric begins in a recognition of the world’s brokenness and builds to a hope-filled and worshipful proclamation of Christ’s worthiness.

 

“When I sing those words from scripture, I can hardly believe they’re true,” Andrew says. “‘From every people and tribe, every nation and tongue, he has made us a kingdom and priests to God who reign with the Son.’ We’re told that we will actually reign with Christ. That is a mind-blowing promise. How can we even wrap our thoughts around it?”

 

The album’s upbeat, anthemic opener, “His Heart Beats,” likewise deals with an incomprehensible reality: that the resurrection of Jesus wasn’t only a spiritual event, but involved a dead physical body being restored to life; that a heart which had been silent for three days suddenly contracted and began to beat again; that the blood which had stilled and pooled in Christ’s veins suddenly began to flow again. “His Heart Beats” is a joyful meditation and triumphant declaration likely to be incorporated into many Easter sunrise services.

 

A third song that could similarly serve the church for generations is the psalm-like “Always Good,” written when a friend suddenly and unexpectedly lost his wife. Perhaps more than any other song on the record, “Always Good” is a hard-won confession of faith that lives in that expectant tension between the hurts of this life and the hopes of what is to come.

 

“I never cried so much making a record,” Andrew reflects. “What it really means to ponder and pray and write about the significance of the centrality of the resurrection is that the whole album is about Jesus. It’s about the person of Christ. Through that creative process I found myself loving him more. IfBehold the Lamb of God is about dusting cobwebs off the Christmas story to remind people it’s about the incarnation and the atonement for sin, then Resurrection Letters, Vol. I is the next chapter in the story, a celebration of what Christ saved us for. My hope is that these songs kindle a new longing not only in hearts, but down to our very bones and sinews—a tangible longing that we were made for this, for this coming redemption, for God dwelling with his people in a more profound way than he did even in the garden.”

 

www.andrew-peterson.comFacebookTwitter

 

ANDREW PETERSON RESURRECTION LETTERS, VOL. I ALBUM PREORDER BEGINS TODAY

Vol. I Video “Is He Worthy” Premieres From The Gospel Coalition

5-Star Acclaimed Resurrection Letters: Prologue Called

“The Finest Poetry Peterson Has Written”

  

Dove Award-nominated recording artist, songwriter and award-winning author Andrew Peterson releases the long-awaited album Resurrection Letters, Vol. I March 30 from Centricity Music. Releasing in time for Easter, the album is also available for preorder beginning today at iTunes, Apple Music, Amazon Music, Spotify, Google Play and more digital outlets internationally through https://AndrewPeterson.lnk.to/RLVol1Preorder.

Resurrection Letters, Vol. I features songs like “I’ve seen Too Much,” “His Heart Beats” (heard on Peterson’s Behold the Lamb of God tour last year) and “Is He Worthy,” which becomes the first video from the album premiere-streaming today from The Gospel Coalition at http://www.thegospelcoalition.org/article/andrew-peterson-resurrection-letters/.

Filmed at Scarritt Bennett’s Wightman Chapel in Nashville, the video’s one continuous take is meant to add visual beauty, simple elegance and serve the message of the song. Elements like the choir, strings, worshippers and drums are introduced fluidly as the declaration in the song is represented.

“The word ‘liturgy’ means ‘the work of the people,’ so a liturgical service implies community—not just listening to a pastor (though that happens) but edifying one another by reaffirming what we believe again and again. I wanted to write a song that did the same,” says Peterson regarding the impetus behind “Is He Worthy.”

“Revelation 5 contains one of the most beautiful and dramatic scenes in scripture, and is centered around the question, ‘Is anyone worthy?’” continues Peterson. “The resounding answer is, ‘Yes! And his name is Jesus.’ That’s what this whole album is about.”

Produced by Ben Shive, Resurrection Letters, Vol. I is the prequel (think Star Wars) to the highly acclaimed album Peterson released and Shive produced in 2008, Resurrection Letters, Vol. II. While Vol. II is more about the implications of Christ’s resurrection victory over sin and death in our own lives, Vol. I begins with the heartbeat of the resurrected Christ while exploring the resurrection itself and its centrality to Christianity. Ten years in the making, the celebratory new volume is meant to move listeners to a greater gratitude, awe and love for God.

“My dream for Resurrection Letters, Vol. I is that it would be the kind of record people turned up to eleven on Easter Sunday, when Christians all over the world celebrate something that happened—it really happened—two millennia ago,” says Peterson.

But leading up to the celebration on Easter Sunday, Peterson offers his 5-star-acclaimed Resurrection Letters: Prologue, a collection of five “waiting songs” meant to remind listeners of the gravity of the crucifixion and to pique longing for the moment when morning breaks and Christ triumphs over the grave.

Available now from digital retailers everywhere and through https://AndrewPeterson.lnk.to/Prologue, Prologue was recently discussed on the Colson Center’s“Breakpoint Podcast” and CCM Magazine calls the EP in its 5-star review “the finest poetry Peterson has written, set to a cinematic soundscape sometimes appropriately sparse and sometimes jarringly hopeful.” Jesus Freak Hideout lauds, “it’s hard to think of how Good Friday could be better and more-succinctly encapsulated than [with] this Prologue.”

See more of Peterson’s explanation of how the three-part Resurrection Letters came about, including why Vol. II came first and why the new volume was so long in the making, in a blog post at The Rabbit Room.

The most congregational songs that Peterson has ever recorded, Resurrection Letters, Vol. I and Resurrection Letters: Prologue will be available as digital-only releases along with a physical-only Deluxe Edition that will combine the music of both projects.

For more information about Peterson, including tour dates and more, visit www.andrew-peterson.comwww.facebook.com/andrewpetersonmusic or www.Twitter.com/AndrewPeterson.

About Andrew Peterson:

Recording artist, songwriter, producer, filmmaker, publisher and award-winning author of The Wingfeather Saga series, Andrew Peterson is also host of the popular creative community known as The Rabbit Room (www.RabbitRoom.com) and recently launched a film and TV production company, Shining Isle Productions to produce the animated film based on his bestselling books. Peterson’s studio album, The Burning Edge of Dawn (2015), debuted at No. 2 on the Billboard Current Contemporary Christian Top Albums Chart becoming his highest charting record to date. Known for songs like “Dancing In The Minefields,” “Be Kind To Yourself,” “The Reckoning,” “Don’t You Want To Thank Someone,” “The Silence Of God,” “Nothing To Say,” “You’ll Find Your Way” and more, Peterson has also been named “one of the foremost singer/songwriters around” and has received multiple “best album of the year” nods from critics along with two Dove Award nominations. Taking his hits and fan favorites on the road, Peterson’s touring draws capacity crowds at venues around the world, including several sold-out events at the historic Ryman Auditorium in Nashville.

About Centricity Music: 

Centricity is an independent Christian music company based in Franklin, Tenn. Founded in 2005 with a commitment to artist development and stylistic diversity, its artist roster includes Aaron Shust, Andrew Peterson, Caitie Hurst, Carrollton, For All Seasons, Jason Gray, JJ Weeks Band, Jonny Diaz, Jordan Feliz, Lauren Daigle, Neon Feather, North Point InsideOut, Peabod and Unspoken. Providing label and publishing services, Centricity is a family-owned organization, and they like it that way. The committed work of its staff and artists has yielded successes such as Grammy nominations, Billboard Awards, Dove Awards, K-Love Fan Awards, a Gold Album and Gold Singles. For more information on Centricity Music, visit www.centricitymusic.com.

ANDREW PETERSON RELEASES RESURRECTION LETTERS, ONE ALBUM, THREE PARTS, TEN YEARS IN THE MAKING PROLOGUE – VOL. I – VOL. II

Greatest News I’ve Heard All Week

Dove Award-nominated recording artist, songwriter and award-winning author Andrew Peterson announces the long-awaited album Resurrection Letters, Vol. I, which will release March 30 and will be preceded by this week’s (Feb. 9) launch of Resurrection Letters: Prologue. Both recordings will release globally from Centricity Music, and Prologue will be available Friday, Feb. 9 from digital retailers everywhere and through https://AndrewPeterson.lnk.to/Prologue.

 

Produced by Ben Shive, Resurrection Letters, Vol. I is the prequel (think Star Wars) to the highly acclaimed album Peterson released and Shive produced in 2008, Resurrection Letters, Vol. II. While Vol. II is more about the implications of Christ’s resurrection victory over sin and death in our own lives two thousand years later, Vol. I begins with the heartbeat of the resurrected Christ while exploring the resurrection itself and its centrality to Christianity. Ten years in the making, the celebratory new volume is meant to move listeners to a greater gratitude, awe and love for God.

 

Releasing in time for Easter, Resurrection Letters, Vol. I features songs like “Is He Worthy,” “I’ve seen Too Much” and “His Heart Beats,” the latter track being heard on Peterson’s Behold the Lamb of God tour last year. The song is about that glorious moment in the tomb when Jesus, who was dead, came back to life.

 

“My dream for Resurrection Letters, Vol. I is that it would be the kind of record people turned up to eleven on Easter Sunday, when Christians all over the world celebrate something that happened—it really happened—two millennia ago,” says Peterson.

 

“But it felt odd writing about Christ’s victory over death without spending at least some time on his death itself,” he continues. “That led to the idea of Resurrection Letters: Prologue… In the spirit of Lent, the season of fasting that precedes Easter, we put together Prologue, a collection of five songs that take us from the last words of Jesus on the cross to his interment in the tomb. And then comes the long wait for Sunday morning.”

 

These “waiting songs” on Prologue are meant to remind listeners of the gravity of the crucifixion and to pique longing for the moment when morning breaks and Christ triumphs over the grave.

 

“The hope proclaimed by Scripture is that Jesus, now at the right hand of the Father, is making all things new—and that includes you and me and all of creation,” says Peterson. “My hope is that these songs would wake up a bright longing in peoples’ hearts for the coming kingdom, for our resurrection, prefigured in Christ’s.”

 

See more of Peterson’s explanation of how the three-part Resurrection Letters came about, including why Vol. II came first and why the new volume was so long in the making, in a blog post at The Rabbit Room.

 

The most congregational songs that Peterson has ever recorded, Resurrection Letters, Vol. I and Resurrection Letters: Prologue will be available as digital-only releases along with a physical-only Deluxe Edition that will combine the music of both projects.

 

The full Resurrection Letters, Vol. I and Resurrection Letters: Prologue track listings follow:

 

Resurrection Letters: Prologue

1) Last Words (Tenebrae)

2) Well Done Good and Faithful

3) The Ninth Hour

4) Always Good

5) God Rested

 

Resurrection Letters, Vol. I

1) His Heart Beats

2) Risen Indeed

3) Remember Me

4) I’ve Seen Too Much

5) Remember and Proclaim

6) Maybe Next Year

7) Rise Up

8) Is He Worthy

9) All Things Together

 

For more information about Peterson, including tour dates and more, visit www.andrew-peterson.comwww.facebook.com/andrewpetersonmusic or

www.Twitter.com/AndrewPeterson.

 

About Andrew Peterson:

Recording artist, songwriter, producer, filmmaker, publisher and award-winning author of The Wingfeather Saga series, Andrew Peterson is also host of the popular creative community known as The Rabbit Room (www.RabbitRoom.com) and recently launched a film and TV production company, Shining Isle Productions to produce the animated film based on his bestselling books. Peterson’s latest studio album, The Burning Edge of Dawn (2015), debuted at No. 2 on the Billboard Current Contemporary Christian Top Albums Chart becoming his highest charting record to date. Known for songs like “Dancing In The Minefields,” “Be Kind To Yourself,” “The Reckoning,” “Don’t You Want To Thank Someone,” “The Silence Of God,” “Nothing To Say,” “You’ll Find Your Way” and more, Peterson has also been named “one of the foremost singer/songwriters around” and has received multiple “best album of the year” nods from critics along with two Dove Award nominations. Taking his hits and fan favorites on the road, Peterson’s touring draws capacity crowds at venues around the world, including several sold-out events at the historic Ryman Auditorium in Nashville.

 

About Centricity Music: 

Centricity is an independent Christian music company based in Franklin, Tenn. Founded in 2005 with a commitment to artist development and stylistic diversity, its artist roster includes Aaron Shust, Andrew Peterson, Carrollton, For All Seasons, Jason Gray, JJ Weeks Band, Jonny Diaz, Jordan Feliz, Lauren Daigle, Neon Feather, North Point InsideOut and Unspoken. Providing label and publishing services, Centricity is a family-owned organization, and they like it that way. The committed work of its staff and artists has yielded successes such as Grammy nominations, Billboard Awards, Dove Awards, K-Love Fan Awards, a Gold Album and Gold Singles. For more information on Centricity Music, visit​www.centricitymusic.com.

Andrew Peterson on Voices In My Head Podcast # 158

itunes
Subscribe To This Podcast on iTunes
POdcast Logo 2015
Episode #158

ap-booklet1

This week on Voices In My Head, Andrew Peterson drops in to talk about playing on the Grand Ole’ Opry, writing novels, and his latest record, The Burning Edge of Dawn.

 
 

Voices In My Head Podcast 150th Episode Celebration with 2015 Dove Award Nominees

Episode #150

Subscribe To This Podcast on iTunes
Subscribe To This Podcast on iTunes

Episode #150 of the Voices In My Head Podcast features 2015 Dove Award nominees who have been on or associated with the show.

This week’s show features:

About A Mile

All Sons & Daughters

Randall Goodgame (Slugs & Bugs)

Andrew Greer

Craig Adams

Andrew Peterson.

Its a great show celebrating 150 episodes by spotlighting some of the most talented guests we’ve been privileged to have on the show.

Voices In My Head Podcast #138: Worship Leader Talk

POdcast Logo 2015

Listen to The Latest Voices In My Head Podcast

with host Rick Lee James

This week’s Voices In My Head Podcast will be of particular interest to Worship Leaders who are looking for some tips on leading.

Episode #138: Worship Leader Talk


FEATURES:

  • Exciting Announcement about Rick’s next record.
  • Your feedback is requested for future episodes of the Podcast on the topic of worship.
  • Listen in to find out how you can be on an upcoming show.

RECENT SHOWS:

Episode 137: Andrew Peterson and Resurrection Letters Vol. 2

Episode 136: Dave Cleveland

Episode 135: Oscar Winners with John Wilkerson

Podcast Episode #137: Andrew Peterson Returns

POdcast Logo 2015 with web site

andrew_peterson_banner

This week on the Voices In My Head Podcast, Andrew Peterson returns. Since we are so close to the Easter Season we talk a lot about his classic record, Resurrection Letters Volume 2. It was great to record this episode on location in Nashville at the Rabbit Room’s North Wind Manor. There’s a little something for everyone here. Great music and great conversation with a great artist, Andrew Peterson.

LISTEN HERE:

Podcast Episode #134: Lent and How the Monastic Tradition Informs Our Conversation On Sanctification

Podcast Episode #134: Lent and How the Monastic Tradition Informs Our Conversation On Sanctification

POdcast 134

 

In The Studio This Week

Nashville Bound

Tracking For The New Record Begins This Week

Good Day,
I hope that this update finds you well. The advent season is upon us again and with it, as always, is much busyness. In addition to the normal Yuletide events this year, This year I add recording a new album to the schedule. This Thursday I will begin my drive to Nashville Tennessee and on Friday morning we will begin tracking the new album. I am so excited about this as I’m sure you are well aware. I have dreamed of an opportunity like this for so many years and God is finally open the door. I am so blessed to work with Lifeway Worship, Producer Craig Adams, A list musicians, and the top engineers in Nashville on this project.

I believe we have come up with a title that encapsulates this project. We think the title will be Hymns, Prayers, and Invitations. I am so blessed by so many of you given how did your resources to make this album the reality. Make God bless you in this holiday season and renew your faith in Christ. I covet your prayers as we begin this recording process and I ask you to pray for others will be renewed in their faith as a result of this endeavor. While we want to make great music, the goal is to reveal Jesus and the present reality of the kingdom of God.

I’ll do my best to update you on line through Facebook and Twitter (@RickLeeJames) while I am in Nashville with pictures and more as I am able. I feel very blessed today and I can’t wait to share the songs with you as a complete collection.

Blessings,
Rick Lee James

www.RickLeeJames.com

The Bundle Sale Is Still Going On.
Order In Time For Christmas

Rick’s Christmas Single Only .99 cents on iTunes